knitting

When talking about knitwear, at a certain point Missoni is bound to be named. Missoni is an Italian brand and fashion house, famous for its colorful zigzag patterns and vibrant floral prints. Due to this, many of their pieces have a very exuberant seventies aesthetic. According to Wikipedia, the company was founded in 1953, when Ottavio and Rosita Missoni set up a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. According to this website, Missoni revolutionized knitwear by introducing slinky sweaters and crochet tracksuits. Originally using lines, the Missoni family discovered a way to make the emblematic chevron pattern by using Raschel knitting machines. The new technique allowed the fashion house to use knits to create any shape of garment, allowing them to cut and sew material without loosening the threads.

As luck would have it, I have a Missoni knitwear tee. It’s a vintage one that my mother used to have, and at a certain point gifted to me. I have been wearing it a lot the last couple of years. So let’s take a look at it!

In the below pictures, I have put the tee on my mannequin. It has a simple round neck as well as the famous chevron pattern in multiple colors of yellow, green and lilac. A design aspect that jumps out to me, is that the fabric of the sleeves is positioned in such a way that the larger chevron is centered on the top of both sleeves.

A closer look

My youngest is a big fan of wearing hand knit socks. To make sure he gets enough wear out of a pair before growing out of them, I make him tube socks. The pattern I use is usually the No-Heel Spiral Socks by La Maison Rililie. Anyway, he wears these socks a lot, and that means they also get a lot of wear. With the sock pictured, a hole developed in the lilac toe section. On further inspection, it became clear that the whole lilac toe was thin all over, but that the rest of the sock was still good for a lot of wearing. So, time to learn how to go about replacing the worn-down toe of a hand-knit sock!

In this post, I show you how I go about it. There are probably many more ways to tackle this, this is just the one that I used here.

Materials used

Yarn: New sock yarn to work the new toe.

Tools: A pair of circular needles in size 2 mm (US 00) and a small circular in the same size.

Replacing the toe, step by step

The result

The result of replacing the worn-down toe of a hand-knit sock: A sock with a new toe, ready for some more wearing!

When working knitting in the round, you’re actually working in a spiral. This means, that when knitting stripes, you get a little “jog” when switching from the one to the other color. Of course, there are also many ways to help counteract this effect. Some methods only work well with very wide stripes. However, the one I’ll be showing here, also works well with narrow stripes.

Materials used

Yarn: Scheepjes Sunkissed, a fingering weight 100% cotton yarn (170 meters / 50 grams). Pictured here in the colors 7 Pistachio Ice and 6 Oceanside.

Needles: * KnitPro Zing Fixed Circular Needles. In this tutorial, I used the 3 mm (US 2 1/2) size with a cable length of 60 cm (24 inches).

Knitting jogless stripes in the round step by step

Considering that I’m knitting this tee with a 100% cotton yarn at a relatively loose gauge, I find the end result to be amazingly jogless indeed. I mean, it’s not absolutely invisible, but still pretty hard to detect!

Circular yoke sweaters and tees are pretty popular. No wonder, because they are a great canvas for colorwork or lace. However, some shaping for raising the back neck is really necessary to make it sit right. Without any shaping, chances are that when it sits right at the back, it sits too high in the front, giving that undesired choking feeling. Likewise, if it sits well in the front, it will probably sit too low in the back. And no, this isn’t something that some rigorous blocking will fix.

In this tutorial, I’ll show you first what exactly the problem is. And, of course, also how to fix it.

The problem

As you can see in the below picture, the main issue is that the human torso is not symmetrical back to front. The neckline is angled, which means that to arrive at the same level, there is more fabric length needed in the back than at the front. And completely circular yokes (as well as raglan sweaters) without any added back neck shaping are symmetrical and don’t have this extra length built in.

As visualized in the below picture, you may start out with the situation on the right. However, as the day goes by, the sweater will want to return to its base shape and the neckline in the front will creep up as pictured on the left.

The solution, of course, is to add shaping to give the yoke the extra fabric it needs in the back. In ready-made garments, you also see a difference in the depth of the yoke in the back vs the front of the garment. That difference is called the “front neck drop”, which is in essence the same as raising the back neck by a certain distance. They both refer to a difference in vertical distance to create a better fit in your garment at the neck.

Raising the back neck: How?

The usual solution is to use short rows to add extra length over a certain number of the back stitches. These can be added close to the neckline, above any yoke patterning, below the yoke patterning to lengthen the back or a combination of these two. The short rows themselves can be of the wrap & turn kind, German short rows, or any other type of short row you prefer.

But this is not my preferred way….

Instead, I prefer to work back and forth over the back stitches only to lengthen that part. I do this directly before dividing the stitches for the body and sleeves. Let me you show what I mean:

This is my Jade Clover design when it was still in progress. This is a really easy way to raise the back neck, because no short row calculations are needed. Just look up in the pattern how many stitches you have for the back of your garment. Next, work those back and forth for a bit. This is a very easy way to include back neck shaping in patterns that don’t have it. Or, to raise it a bit further than the pattern describes. I know I have done so occasionally. For example, when only a few short rows were included, and the sweater still looked a bit choky on the models.

Below is my Shoreham-by-Sea tee pictured. You can see how that bit of knitting looks after the stitches are divided and a bit of the body has been worked.

What about the sleeves?

As you can see, there is now a vertical section between the held stitches and the stitches that were cast on for the underarm. And yes, this does mean that along that edge, stitches will also have to be picked up and knit for the sleeves. In my patterns where this technique is used, I have taken this into account when calculating all stitches and decrease rows for the sleeves. Take a look at the picture below to see how it looks when the garment was all done:

In sweaters where you add this yourself, you will start out with more sleeve stitches than the pattern describes. It may mean that you have some welcome extra ease in the upper arm. In that case, just follow the pattern for a larger size that has the same approx. number of sleeve stitches. If you want narrower sleeves, you may need to take an extra look at the number of decrease rounds and the number of plain rounds between them.

On a final note, I have not yet tried this technique with raglan garments. However, I strongly suspect it will work just as nicely there as it does with circular yoke sweaters. When I do try it, I will report back!

Knitting neat buttonholes can be a challenge, especially if you need the bigger sized ones. They often tend to sag or stretch at the edges. Fortunately, I recently came across this lovely technique to make a two-stitch buttonhole, right in the purl portion of (k2, p2) rib patterning. This method may seem a tad involved, but trust me, the result is really worth it!

In this tutorial, I’ll show you how to work buttonholes in an 8 st repeat, with a buttonhole over the 2 stitches in every other purl section of the rib patterning.

Materials used

Yarn: Beiroa, an aran weight yarn from Retrosaria Pomar; a 100% Portuguese wool yarn, manufactured in Portugal, exclusively from the wool of free grazing Bordaleira Serra da Estrela sheep.

Knitting needles: A pair of Addi circular needles in size 4.5 mm (US7).

Knitting two-stitch buttonholes in 2×2 rib, step by step

The result

Below, you can see the result of working this two-stitch buttonhole. Really neat, right?!